Friday, July 01, 2005

End of Days

End of Days

by Mick Hale


He stood across the street this last morning waiting for the other passengers to arrive in the bus shelter. It was important to him they arrived in the correct order. The order was Pandu first, then Fat Hobarth, followed by Frankie and finally, Mrs. Guild. When they all assembled he crossed the street.

The poster was still there on the shelter wall, a kung fu movie from five years ago. Harry liked the Hong Kong movie star posed in fearful fit, with dark, angry eyes, kung-fu master as guardian spirit, on a mission to keep the bus shelter safe. Sometimes, in his bedroom, Harry tried this kung-fu pose. It was a wild thing to do, a secret desire kept hidden from the world.

Frankie was the only one who ever talked to Harry. It wasn't that Harry talked to Frankie; it was that Frankie talked to everybody. Frankie chatted with Mrs. Guild, then turned to Harry and said, "Did you hear that, Harry? Tomorrow is Mrs. Guild's birthday. How old is that, dear? Twenty-nine?"

Mrs. Guild, safely beyond twenty-nine, laughed, Pandu added a chuckle and the general mood lifted at the bus stop on Goddard Road. Harry admired Frankie. If Frankie struck a kung-fu pose, he'd do it right here, in front of the world.

"Hey, Harry," Frankie said, startling Harry with a firm punch on the arm. "Big day, eh?"

The day seemed no bigger than any other, no more sky above or asphalt below. When Harry was a child he believed in big days. Children do. The world shrank with age. It did for Harry. It didn't bother him, he just thought that's the way life was.

After a moment Harry answered Frankie's big day question.

"Yes," he said.

Frankie waited, until it became apparent Harry had nothing more to add.

"Okay," Frankie said, a man who abhorred silence of any kind. He turned to Fat Hobarth.

"Harry here is retiring today. How long has it been? A hundred years? A hundred years at Whatshisface, Whatshisface and Whatshisface. That's something. The longest I ever held a job was two weeks, and I'll tell you something else --that's the only job I've ever had."

There was this ripple of laughter through the bus shelter. Frankie had the singular habit of adding a punctuation of chuckling to every stray thought. Harry didn't join. Frankie's laugh track made him smile, but he never joined in. Kung-fu poses in his bedroom were one thing. When he stepped out his front door, the kung-fu master stayed behind.

Fat Hobarth, after Frankie the most verbal of them all, said, "The ponies are your job, Frankie. You take them seriously enough."

"True," Frankie said. "It's work. Today, I got a hot one in the first at Belmont. I ain't missing today. Today's a winner!"

Fat Hobarth with a million beers and burgers buried in his gut, followed his laugh with a coughing fit. The man's belly was beyond containment. Fat guys could get that way, so huge there was no other choice but to let the belly lead the way, buy bigger clothes, forget trying to suck the gut in. A gut like Fat Hobarth's lived its own life.

Harry shifted his eyes to Mrs. Guild; smoldering mood swings, shades of grey and black, eyes tucked away behind dark, dark lenses. He imagined Mrs. Guild in her kitchen, Mrs. Guild in her bedroom. There was a flash to Mrs. Guild. Like in summer, heat lightning, dark filled with flash but no sound. There was always this possibility with Mrs. Guild. Some women made men wonder. Mrs. Guild was like that. Sometimes, Harry stood naked in front of his mirror, his body old now. No woman would open to a body like his. Still, sometimes Harry wondered about Mrs. Guild.

The fourth man at the bus stop was Pandu; eyes wrapped within the pink rectangle of the Financial Times, bushy beard combed in waves, his turbaned skull and foreign scent. Someone like Pandu at the bus stop made the little shelter seem bigger than it was. Harry was proud this Indian man stood there every day. The turban must take time to wind around Pandu's skull. Sometimes the turban was gray and sometimes white.

Thirty-two years waiting for the number nine bus and not one workday missed. Harry played it through his mind and smiled. His world was evolving, and as he had this thought, indeed the world began to shift.

This was the first stop on the morning route and at 7:14 the bus rounded the corner as always, only another driver was behind the wheel. This made Harry uneasy. Of all days, this was no day for a new driver, especially a young man who said, "Morning, dude," as Harry mounted the three steps into the bus. The driver's badge read, 'Skate Harrison.' Skate was a suspicious name for a bus driver. Harry stared long enough for the driver to mutter, "You alright there?"

Long ago Harry discovered the secret that governed his life. If something small changed, things changed in rising degree as the day progressed. There was no telling where a sequence of change might lead. Over the years Harry became convinced it was unlikely to be a comfortable place.

As the bus pulled away he grabbed the steel handrail. Skate accelerated faster than a veteran bus driver. A young man's desire to burn more diesel than necessary. Harry understood. He also understood that this was, after all, the end of days.

Outside the bus window the world passed by. Rosemont Florist. The display of flowers changed every day. Today was Tuesday. At this time of year there should be racks of roses and indeed there were. Madaba Deli Number Eight. The two Pakistani men who ran the store were sweeping the sidewalk as always. Lee's Dry Cleaning Emporium. Emporium was a grand word for the shabby exterior of Mr. Lee's store. Harry wondered about it every day.

Today, things were as they should be, but something bothered him. The bus moved too fast.

Carter's Family Clothing Outlet. Harry barely saw the mannequins dressed in plaid. Barry's Bagel and Coffee. The breakfast special remained a mystery. Judson's Stationary. Judson's window, filled with innovative ideas in office supplies, zipped by, the shimmering blue and white reflection of the bus flashing across the plate glass. Worse, the bus didn't stop. Judson's was Eddie Van Neelson's stop. Right there, right outside Harry's window Eddie stood, brow furrowed, holding his hand up. Eddie ignored. Eddie left behind.

"Hey."

Mrs. Guild's voice.

Harry's eyes fell to the pearl brooch pinned just above her breast, its sharp point laced through the fabric of her grey sweater. It matched her strident tone.

"Driver, you missed a stop. What are you doing?" Mrs. Guild's voice, honed to a fine edge, cut through Harry's skull, dominated the diesel's sparky roar, the grinding wheels and rattling rivets of the city bus. Mrs. Guild rose from her seat and swayed toward the front, passing Harry and almost falling into his lap as the bus made an unexpected turn.

Pandu raised his head in alarm. When he spoke, his accent thick as Ganges mud, lay heavy on the ear, spicy with a curry lilt.

"This is not the way. You must go left."

The bus turned right on Summer Street. Harry never turned right on Summer Street. Turning right on Summer Street plunged them into an alien world. Immediately, he saw a woman walking a dog, but no dog like he'd ever seen, an alien dog from a distant star. Right on Summer Street unfolded out the window, replete with threats. On the first corner was Larry's Hunt and Gun, Larry himself armed and standing behind the counter ready to stalk any bus that wandered into his domain. A huge man washed his car by curbside, his long arms sweeping a chamois across the metallic flecked fins in menacing swipes. Two nuns shuffled down the street, wimples wrapped tight around their ears.

Harry wanted to meet this world with kung-fu courage, but that was just a movie poster after all. His stomach churned.

At last, Mrs. Guild reached the driver's seat.

"Driver, this is the wrong way."

If the world were flat, they'd fall off the edge at the end of Summer Street. Harry became convinced of it. A man like Harry just wanted things to finish. He wanted to go to his office, pack up his life and close his bedroom door.

"He can't hear you," Frankie shouted from his seat. "He's listening to music."

There they were, Harry saw, tiny headphone buds stuck in Skate's ears. He watched Skate's hand tap a finger flourish on the wheel. Rock and roll; the bus's churning rhythm took shape. Heavy metal, thrashing like the steel wheels of the city bus bouncing through potholes. Harry remembered at the grocery store seeing a headline splashed across a glossy magazine: Metal Head Johnson Leaves Rocktominum! Now here on this renegade bus he saw another: Metal Head Harrison Turns Right On Summer Street!

With a firm tap on his shoulders, Mrs. Guild finally got Skate Harrison's attention. The driver popped the ear buds out of his metal head and turned slightly.

"Please stand behind the white line," he said.

Indeed, the toes of Mrs. Guild's shoes violated the sacred white line. This could not be, this willful violation of white lines. Harry always placed his feet carefully behind the prohibited stripe. Every situation in life required some form of white line; stand here, not there, simple instructions to help navigate the heaving seas of unfamiliar places. He didn't want to be this way, but white lines were decision makers. They made life easier for him.

However, Mrs. Guild's courage knew no bounds. She shuffled beyond the white line and put her mouth close to Skate's ear.

"You are going the wrong way."

"What?"

The metal still rang in his ears. Harry imagined the acrid aroma of crispy guitars and fried drum skins drifting out of Skate's skull. There it was, haunting the bus, an apparition of snake tongues and wild eyes lined in black. The thought made Harry's heart race.

"What do you mean?" asked Skate.

"Dude," said Fat Hobarth. His deep rumble easily carried from the rear seat. "You made a right on Summer Street. You should have made a left."

Harry looked over his shoulder. The rear seat was built for the big man's girth. His arms spread to either side, anchoring him against the bus's sway. His legs were planted to the rubber floor, Bus Buddha, his commanding presence mocking the very word 'passenger.'

"You'll have to turn around," Fat Hobarth concluded.

Harry began to go over file procedures in his mind, his lifesaver when things went out of control, the bus route gone, wheels wandering. He focused on metal drawers. He debated if he should change his system, and perhaps organize by date as opposed to the alphabet. The alphabet was a flawed sequence. He could see that now. He worked the new organization through his mind and forgot they aimlessly drifted down Summer Street, their commuting destiny in the sweaty grasp of a metal head's fiery spirit. He even forgot the quiet order of the file room would soon be someone else's responsibility.

It was Frankie's reedy voice that sucked Harry back into the bus.

"There's no place to turn around at the end of Summer Street."

Harry fought back. The alphabet was a closed system, developed thousands of years ago, chiseled into clay tablets. Clay tablets were too thick to fit into file drawers. Clay tablets became brittle over time. Clay tablets might shatter and vault the file room into disorder. A date, numbers, digits, now there was an infinite quality of order to things; a man could organize in decimal bliss with numbers. He smiled to himself. In his parting interview with Mr. Broadfellow he might mention his idea. Mr. Broadfellow, his tie knotted, his suit pressed, every single object on Mr. Broadfellow's desk in its place. Mr. Broadfellow was a god to Harry.

"This is not right," Pandu said. "I am needing to get to my work."

Harry floated down Summer Street, the street becoming narrower, the rows of shops replaced with rows of houses, the rows of houses replaced with industrial buildings, abandoned, windows shattered, graffiti across brick, urban scrawls, indecipherable to Harry, a foreign language, raw emotion, chaos captured and sprayed across walls to taunt him. There was no hiding in the corners of his skull. The graffiti sweeps and shapes began to take form. He stared at them, hypnotized by their colorful curves and mysterious messages, antediluvian omens from a primitive world.

The bus stopped.

Outside his window Harry saw a rat dart between stacks of rusting iron drums. The bus idled for a moment and then Skate ground the gears into reverse, the slow roll back accompanied by a beep bouncing off the narrow walls of the alley. Harry imagined them backing all the way to the missed turn. Everything might roll back. The woman with the alien dog, Larry the hunter taking the gun off his shoulder, the big man with the chamois swiping backward along dampened chrome, a slow rewind to before.

His pulse steadied. He closed his eyes. He'd keep them closed until the bus began forward motion again. He willed the world to return to its set route. Perhaps tomorrow he'd find the courage always just beyond his grasp.

The sound of steel scraping on the bus side and a tumbling of iron rang into silence. Harry opened his eyes. Skate had backed the bus into the stack of oil drums, the bus wedged against the alley walls. There was a giant spiral of graffiti inches from his window, the strokes revealed, the spray paint telling its own story of a hand driven to this place to mark the world in an immortal bid, or a desperate plea, I am here, I am alive, do not forget me.

From the rear of the bus Fat Hobarth laughed. "You miss backing up class there, driver?"

The engine stopped. A wash of panic snaked up Harry's spine. Skate pushed the bus door open and got off. He returned in seconds and announced, "That's it. We're going to have to get off. I'm going to find a phone and call the bus company. They'll send another bus."

"If I miss my race at Belmont you're toast," Frankie said.

"How long have you been driving a bus?" asked Mrs. Guild.

"I will be fired," Pandu said.

There was no diesel churning now. Harry barely controlled his shaking, tried a deep breath to steady his nerves, but the breath was a shuddering rasp. It must have been audible. Mrs. Guild gave him a lingering glance. Without taking her eyes away from Harry she said, "I'm sure the bus company will have something to say about this whole matter."

Skate stood on the top step by the bus door, shaken by his failure. "Look, this is just a summer job for me. I'm studying Applied Physics at MIT. I don't know much about driving buses."

Rising from his seat, Fat Hobarth lumbered forward. "Thank God you weren't the one who invented the atomic bomb then." He squeezed by Skate and exited the bus. Pandu quickly followed, and then Mrs. Guild, gathering her bags into her hands, almost pushing Skate through the front windscreen as she disembarked.

They left the bus one by one. Harry sank lower in his seat, a vinyl cradle, its squishy comfort a secure nest. He smelled the alley, the heavy air drifting through the open bus door, putrid scents laced in a fine, choking dust. There were layers to the smell, things abandoned, a dead end of broken dreams, lost souls, drifters wandering to the farthest reaches of the city to hide from the judging eyes of an unforgiving day. Piss and shit and smashed bottles of cheap wine, ozone seeping toward a yellow sky, reams of newspapers rotting in tilting stacks, all the news, all the births and deaths and defeats of the daily urban turmoil reduced to tiny rivers of bleeding ink.

"You okay?"

Frankie stood there. The smile on his lips betrayed the concerned look in his eyes. More than any of them, Frankie knew Harry. He was not an easy person to know, this slight man in his hardened shell, but Frankie made a study of people. It helped him at the track. He could tell a lot about how a horse might perform by watching tiny jockeys and coifed owners in the paddock circling their pampered beasts. If he were placing a bet on Harry right now he'd pick him to finish dead last. The guy looked like he was going to melt into a puddle of piss.

"We've got to get off the bus," Frankie said.

"No," Harry said.

But he did get off the bus. Frankie reached down and placed his hand on Harry's elbow and gently encouraged him to stand.

"There you go, Harry. You sitting here all day? Let's go find another bus."

Like buses were easy to find, like every bus was the same as every other bus, Frankie still edged his words in a light laugh, not understanding a complete re-trace of steps was needed, time itself must be warped, whipped back to 7:14, five people standing in a bus shelter, the beginning of the end of things. This was chaos, this alley, this broken bus, and this unfamiliar world.

Three steps, that's all it was, but another thing to take those steps on quivering legs. Walking was simple, but for some reason it now required his full concentration. He kept his eyes to the ground, placing each foot carefully to avoid stumbling. He went to the wall of a building and leaned against the brick. There was a debate going on. Skate insisted everyone keep together and follow him to a public phone. Mrs. Guild pointed to her shoes and explained she couldn't walk far. Fat Hobarth mused about the idiocy of women dressed in heels that made it impossible to walk. Pandu, for some reason, got into the middle of it, told Fat Hobarth he must not be a rude man and that he liked Mrs. Guild's shoes.

Mrs. Guild solved the matter by picking up her bags and walking down the alley. The men followed. Skate rushed ahead to take the lead. He was the bus driver and this was still his bus, even though the bus had changed into a ragged procession down a trash-strewn alley. Frankie lingered, making sure Harry followed, trying to talk the man through whatever it was making this simple thing so difficult. He led Harry like a child away from the wall.

"I like alleys," Frankie said. "When I go to a city I'm always on the lookout for alleys. Alleys are like the bones of a city. You can tell a lot about a city if you take a peek down an alley. People in an alley always tell you the truth. If I really want to know what's going on in place I always head straight for an alley and ask. I've been in this alley before. It's nothing, Harry. Just a place.

"When I first moved here I got a bike. It wasn't much of a bike but it got me around, you know? One day I did the same thing that nut job bus driver did, only of course I wasn't driving a bus, so it was easy enough to turn around when I got to this dead end.

"There was an old guy here, right over there -- see that pile of cardboard boxes? He was living in them. It don't look like nothing but a pile of boxes, right? Well, to this guy it was home. I suppose it was a mansion in his eyes. That's something, isn't it? When a pile of trash becomes a home. Things like that make you stop and think. Harry, wouldn't you think about something like that?

"This old guy's name was Rudolf. That's a grand name for a bum, don't you think? But sometimes bums ain't what they seem. Mostly bums are just like us except maybe things took a wrong turn. Life can do that. Look, Harry, I know my life took some turns, but I always think, well, at least I ain't living in a cardboard box. That's a good thing, right? You see, alleys teach you things.

"Rudolf had a lot to say. It didn't take much to get Rudolf to talk. He wasn't like you. That guy had an opinion about everything and I ain't saying you don't, but this guy knew how to talk. You wonder how a guy like that, a guy that knows everything, ends up in the dumpster every day looking for something to eat. Or maybe that's what it is. Maybe knowing everything is the worst thing. You know everything maybe that's what happens to you.

"Me? I like to keep myself on the dumb side. I know about the ponies. I wake up in the morning and I sit down with a smoke and some coffee and go over the form. I add it all up and figure it out. Most times I'm wrong cause there's this random factor you just can't take out of a race. Every now and then some lame ass horse gets it in its mind to run and take the wind and thirty bucks goes down the drain. What you going to do about something like that?

"But you know, man, sometimes, it goes the other way. Sometimes, I look at the form and it all makes sense to me and I know it's going to be a good day. One good day makes up for a whole lot of bad. And I'll tell you something -- this guy Rudolf saw the world the same way.

"I asked him how come he's living here. You got to wonder about something like that, don't you, Harry? Maybe a shave and a nice bath and this guy could be your neighbor and you wouldn't even think about it. There was nothing wrong with the guy that I could see. Except of course he was living in a box and that's a whole lot of wrong right there.

"Anyways, this Rudolf looks at me and says life is leftover pizza. A guy says something like that it catches your attention. What do you think when you hear something like that? It got me thinking. Doesn't it get you thinking? With a guy like that you're always on the lookout for things. Sort of like a red flag the guy's going loco and he's going to pull out a weapon and start evening things out, or putting things to right, or taking care of what ever little bugs he's got running around his skull.

"So, I ask him what he means, figuring conversation might keep him on an even keel, but already planning a scoot back down the alley. That's what you would do, right Harry, be backing away? That's what I did, but slow like.

"And while I'm doing it he reaches into a box and I'm thinking, okay, the game is on here, but instead of a knife or a gun, he takes out a couple of slices of Sicilian, real thick, just the way you like it, and he hands a slice to me. Now where do you suppose he got it, Harry? Out of a dumpster somewhere. I know that. You know that. It's obvious, right? But the look in his eye, I can tell it's important to him I eat. Sort of a hospitality thing. There I am sitting in the man's home. It ain't much. The next rainstorm the walls are going to melt.

"My mama, she used to drink a lot, could spend the whole day on the couch with a bottle of scotch watching the soaps. But she taught me some things. Your mama taught you things as well, I'm sure of that. All mamas do. Being polite was one of the things my mama taught me. So I chow down. And you know what? Best damn pizza I ever ate. Cold, but there was something to the taste. Lots of cheese, maybe that was it. What do you think?

"The thing was it shouldn't have tasted as good as it did. I'm telling you, Harry, it was weird. Sitting there, in that little cardboard home, it was like we were feasting. And all we're doing is eating some food out of the trash, Rudolf watching me, and I can see it in his eyes. He's enjoying me eating, but there's something else. He's waiting. I didn't get it. Only thinking back on it over time did I figure it out.

"Sometimes, it takes a little while. I ain't the quickest guy around, you know? You come to an alley and you learn some things. That's how life can work. Things pile up in a life, don't they? I mean the march of days. One after another and each one leaves a little bit of itself in your head. Enough bad days and you end up the weird guy at the end of the bar talking to his beer. Or you end up in an alley living in a box. Harry, life can take a turn. You know that.

"But Rudolf is saying to me just take what you get and if that's a couple of slices in a dumpster then take them. You in the right frame of mind, it's all going to taste pretty fine. And you know what? It don't matter how much you get from a life. It all comes down to the same thing. Life is leftover pizza. Yes sir, that's all it's ever going to be. You figure that out you can be happy no matter what's going on. Nobody can touch you if you figure something like that out."

By now the invisible bus, Skate still in the lead, reached the corner of Summer and Newell. Here another debate broke out. Mrs. Guild insisted this was as far as she would go, another bus would just have to come and fetch her. Pandu, by this point in full panic, and at the same time resigned to the fact he was going to be late for work, suggested Skate go into one of the homes and call for a taxi.

"And you will have to pay for it," added Pandu.

"Me?" Skate responded. "I haven't got any money."

"I'm sure the bus company will reimburse you."

"No they won't," Skate said. "They'll probably fire me."

"Fire you?" Fat Hobarth said. "What for? Making a wrong turn and running the bus into a stack of empty oil drums, stranding us in the middle of nowhere, and making Pandu here get fired? Why would they fire you for something like that?"

"Do you think they will fire me?" asked Pandu.

"Two people fired in one day from the same bus," Fat Hobarth said.

"Hold on," Frankie said. "First, look at these houses. Nobody lives in them. This place has been run down for years. Second, nobody's getting fired. Skate here made an honest mistake. What is the bus company doing sending a guy out without proper training? And Pandu was just a passenger. Pandu, you need me to go talk to your boss, I can do that."

"The bus company must take care of this," Mrs. Guild said.

"I'm sure they'll get right on it," Fat Hobarth said.

"This is a very bad thing," Pandu said. "Without a job I will be deported."

"Maybe you could become a ghandi," Fat Hobarth said.

"What do you mean?" asked Pandu.

"The Immigration Service gives free passes to religious guys."

"You mean guru. Ghandi was a man."

"A guru then. All you got to do is sleep on a bed of nails. That should do it."

"I am insulted by what you say," Pandu said, and his face flushed.

"Calm down," Fat Hobarth said.

"You are too crazy to be saying things like that."

"Wait a minute," Mrs. Guild said. She was leaning against a low brick wall and rubbing her feet. "Where's Harry?"

Everybody looked up and down the street.

"How does a guy disappear like that?" Fat Hobarth said. He turned to Skate. "Losing passengers is a big no-no at the bus company."

Around the corner, Harry sat on a bench. The spitting back and forth gave him a headache. The world was still close to his neck, almost choking him with its strangeness, but here on the bench it was quiet. He sat and looked at the house across the street. Every window was boarded. There was trash in the yard, maybe things left behind by the owners long ago. A kid's tricycle on the porch, an old TV set in the garden, the garage to the left of the house collapsed on one side. Dead house. No ghosts living there. Ghosts wouldn't live in a dead house like this. They'd want to live in a place filled with life.

He knew about ghosts. Years ago his Mother came down with the cancer. That's what she called it, the cancer. At first it was nothing. Days followed days and his Mom pretty much lived her life. Slowly, the cancer took its hold. His Mom was strong. When his father left it was just the two of them, his Mom working jobs, Harry going to school. His Mom liked to hear about school. She'd never finished eighth grade so every day she asked him to tell her something new. Harry used to stop in the library on the way home and look up things to tell her. He wanted her to think he was a genius.

The cancer had its way with her. The doctors kept telling him she wasn't going to last long, but they didn't know her. Days followed days, years followed years, until his Mom just sat in a chair with a vacant look in her eye, grey skin, strands of hair, nothing much to her life at all except Harry telling her new things.

There were great changes going on in the world, and he told her of these wondrous things; men flying to the moon, computers the size of a dime, cars running on sunflower oil. He told her soon they'd be growing body parts in vats. If somebody got sick they could just check into a hospital and get a new liver, or a new heart, whatever they needed. His Mom sat there amazed at the things her son said, and smiled in his delight, even though there was little she understood.

The cancer ate her brain. That's what he remembered. The doctors told him so. They even hinted he consider putting her into a special hospital. Harry was suspicious of that. He thought he heard another thing in the doctors' words. Let her die, that is what he thought the doctors meant.

His Mom became a ghost, a wispy presence in the living room, shaded in the nervous broadcast light of the TV set. He tried to bring the world into their home. Every day he went to the store and bought fresh flowers. He cooked meals to fill the home with kitchen scents. He opened windows on warm summer days and put music on the radio. On Sunday afternoons they listened to the opera. Harry explained all the stories and melodrama. He filled his Mother's ghost with life until the day she passed away sitting in her chair, Mozart on the radio, and the city sounds drifting in from the open window. He turned the radio off and closed the window for a final time.

Harry boarded up the house. This house across the street, this could be his old boarded home. He hadn't really stuck plywood on the windows. It was just in his head, the nails and slats of wood.

Sitting here he understood. Something like that, a lingering illness, and the world could slip away for those around the dying.

After he buried his mother he stepped into the world again, but it was never the same. Each day seemed edged to a fatal degree. Life felt unsafe. Harry got a job, then another, until he finally arrived in the file room. The file room, it was quiet there, a place to pass the days. He wanted nothing new now. His mother took all the new things with her when she passed away.

Across the street the dead house, these things running through his mind; his mother's life, his mother's death floating in and out of the empty windows; his mother's moans from all the pain floating up and down the empty street. He closed his eyes and focused on the city's hum. Let the urban quilt mute his mother's memory. Let it go.

The city was all around him. At the end of the block an interstate rose above the street. The highway drone whistled in the air, a dozen cars a minute flying by this empty place, mocking the dreams that once lived here. In the carbon envelope he thought he heard a child's voice. There at the edge of things were a thousand echoes caught in this asphalt wasteland. It was his voice; he recognized it now. The child's voice fading away, released at last by this aimless drift. Let go, Harry.

Next to the bench was an old pizza box, caught in a stray strand of chain link fence. He leaned over and pried the pizza box free. Inside, the box was empty, a trace of old grease and a piece of crumpled wax paper. He held the paper in his hand, felt the brittle texture crush within his fingers, and then let it fall to the concrete. He smiled. Life is leftover pizza, unless you never find a slice.

From around the corner a bus rumbled into view; Skate's cocky posture back in place behind the big bus wheel. The bus pulled up and stopped with a hiss of compressed air. The door opened.

"A cop came by and they sent another bus," Skate said. "Come on."

Harry boarded. They were all there, each in his seat, as if by resuming the set routine things might be as they once were. Harry stood a moment, then took a seat right behind Skate, a place he'd never sat before.

"Alright," Skate said. "Let's get this bus back on its route."

The world outside the window was new. The bus wound its way through a maze of streets and unexpected turns as Skate tried to find his way back to the corner of Goddard and Summer.

"There's no point in that," Mrs. Guild said. "You should just take us into the city by the quickest route."

"I only know one way," Skate said.

"And you don't know that very well," Fat Hobarth said from the rear.

None of this penetrated Harry's thoughts. He watched this new world unfold. Yes, the houses were houses he'd never seen before. The neighborhood changed into a sprawl of tall red-bricked apartment buildings, groaning from the overflow of lives crammed into their boxy bulk. Yes, these were strange shops, one selling wigs, another selling exotic pet supplies. Yes, there were people out there, a world of strangers, each caught in mirrors of their own experience. But there was more to this new world than before. There was something else now. Harry didn't understand. The colors of this world were different. The textures carved in new stone, the faces set in a new way. Harry watched out of his bus window, hypnotized by this new parade.

The bus reached an intersection and paused. Now a great debate rose, each voice trapped in its own concern. Turn right, turn left, go straight, until Skate was paralyzed by a dozen different demands, and then Harry spoke.

"There's another way."

None of them ever heard Harry speak. Maybe a word or a nod, but this was something else. Even Frankie, the man with the non-stop mouth, wasn't sure what to say. So it fell to Skate, no history binding him to a set routine, to turn and ask, "Which way is that?"

Harry directed him to the right, and then a series of turns this way and that. The passengers sat in silence, watching the streets pass, wondering where it was Harry took them. There was no apparent logic to his choices, and yet this man, one they knew with habits set in concrete, might be trusted to deliver them to the city's center. Indeed, the bus seemed to be on a route nearer to their destination, the tall towers of the city center closer now, the streets more dense in an urban array.

They reached a street choked in traffic, a sheet metal tangle crawling down a busy block, the city just over a bridge. There was time now to take in the scene. For several minutes they didn't move. Next to the bus was a young woman in a car, her fingers drumming the wheel to an unheard beat, her face twitching in caffeinated impatience, rushing forward one inch at a time. Her auburn hair fell to her shoulders. She was dressed in proper cubicle fashion, ready for her office day. Beside her on the seat was a leather briefcase, monogrammed in gold, two letters; JT. Harry worked the letters through in his mind. Jennifer Thomas. Jane Thornton. Judy Taggert. He settled on Justine Taylor, a young woman filled with the life ahead, days to live and dreams unformed.

The two of them sat there, inches apart, separated by two panes of glass. He wanted to reach out and stroke her soft hair, tell her about his wild day and all the new things that had come to him. There was so much he wanted to tell Justine. She would listen and laugh and call him a foolish old man, and tell him this end of things was really a beginning, an opportunity for something else now. Let something else into his life. This was the way young people saw the world. It was so easy to see the world this way from the immortal stance of youth.

He had the thought to get off the bus and clear traffic, let her speed away to her waiting life. This was no place for Justine, stuck in a traffic jam, going nowhere and everywhere at the same time. He wanted to set Justine free, tell her not to let the days grow thick around her feet, not to let life tackle her and bind her in a sheet metal knot.

"Turn right," he said to Skate.

"Right?" asked Skate.

"That puts us on the highway," Mrs. Guild said.

"Can't see the city is just ahead?" asked Fat Hobarth.

Harry shrugged his shoulders. That made Frankie laugh. "I'm with Harry. Turn right."

"That's 287," Skate said. "Who knows where we'll end up?"

"That's the point, isn't it, Harry?" asked Frankie.

"We're lost now," Harry said.

"Dude," Fat Hobarth said, "The city is right there. We're off this bus in ten minutes."

"I don't want to get off," Harry said.

"That again?" asked Fat Hobarth. "You've got to get over it, pal."

Frankie looked at Harry a moment. "No, it's something else."

They sat there, idling, waiting for the light to turn green. Skate looked over his shoulder. None of the passengers spoke. He looked at Harry and raised his eyebrows.

"Turn right, Harry said.

Skate hesitated a moment, then shrugged. "I'm fired anyway."

They spent the day heading north. At lunch, Skate pulled the bus off the highway and started winding his way down country roads. Harry directed him to the left and the right. Skate spun the wheel without comment. Harry commanded the wheel. Skate was connected to Harry's thoughts. Harry tried it out. He thought right and Skate turned right. He didn't do it again. His gut clinched at the idea of that kind of power.

Around one, they found a small inn by a placid lake, bought bottles of white wine and bread and cheese, sat by the water, let the sun bake through the urban crust to their grateful bones. This was a different silence than the silence of the alley. Harry listened, trying to understand. It was a silence filled with space. He liked that thought, a silence of space.

Fat Hobarth told stories of his days in the Army. Pandu talked about his small town set by the Ganges. They went there with him in their minds, imagining a place so different from their own. Skate became animated discussing theories to change physics and show a new way the world might be stitched together. Mrs. Guild untucked her blouse, took off her heels and waded in the icy water; early summer, lake water still laced in winter's chill.

For some reason Harry insisted Frankie only bet on gray horses the next time he went to the book. He had this image in his head; gray horses surging across the finish line, gray horses unbeatable in thundering grace. Frankie threw back his head and let out a laugh that echoed off the granite cliffs on the far shore. The laugh bounced back and forth, skimming the brown waters and re-bounding over rocks.

"You're right, Harry." Frankie said. "Tomorrow, it's gray horses only!"

The ride home took hours. Harry fell asleep, head pressed against the window, a blue heron in his dreams, soaring on monoxide thermals over rivers of red taillights.

It was almost midnight when they returned to the bus shelter, the shelter no longer a haven in Harry's eyes, the kung fu master another faded Hong Kong star peeling away. They stood in the street, words beyond them after the sudden day. It was Skate who spoke first, muttering how he'd have to go find another job. "If they don't put me in jail for stealing the bus."

"Say you were hijacked," Fat Hobarth said. He quickly reconsidered it. "Nah, just say you got lost."

"Yeah, I really got lost."

Skate climbed back on the bus and rumbled down the street in a blue diesel plume. The others stood there a moment more, until Mrs. Guild picked up her bags and said, "Well, that was different." With a small wave she headed down the block. Pandu followed her, saying over his shoulder maybe he could get a job in that inn by the lake. Fat Hobarth left, muttering his wife would never believe any of this. Finally, Frankie held out his hand to Harry. "You want to bet the ponies you come and look me up."

Harry took his time walking back to his house. The neighborhood was quiet, shades drawn, sometimes a small dance of TV light peeking from behind the blinds. TV builds a wall against the dark world, holds the deepening shadows at bay. He reached his home, put his key in the front door, then changed his mind and sat on the front steps of his porch. He wanted to feel the day a moment longer. A man came walking up the block, smoking a cigarette and carrying a paper bag. It was Frankie.

He sat next to Harry.

"You want a beer?"

From down the block chimes in the local church tower struck twelve.

"I used to write that pastor all the time," Harry said. "Those bells ringing all night long kept me awake for years."

"You always know what time it is," Frankie said.

Harry opened a beer. As he took his first sip the chimes finished working their way toward midnight; their muffled peal the first layer of the coming day.

Saturday, May 28, 2005

Tar Beach

Tar Beach

by Mick Hale


"Just aim for the center of the green," Ben Hogan said.

"There's no wind, I'm taking the pin," Billy replied.

"Aim for the back bunker, take an eight, hit it soft," Ben Hogan insisted.


In the imagination of a child the world is such a different place. Fantastic things can happen there; dreams shaped to desire, wishes charged with magic, and if the sky should happen to fall, well, then this imaginary world can be the perfect place to hide.

In the imagination of Billy Malloy, the corner of 77th and York was the twelfth hole at Augusta National Golf Club.

"You put it in the creek with that swing," Billy said.

"Only once," Ben Hogan replied.

The ball sailed across the fairways of Billy's mind and settled four inches from the pin.

"Shot," Ben Hogan said.


Billy picked up his school bag and started for home.

His Mom, Sally, was in the kitchen. Mondays was steak. Billy's Mom always made steak on Mondays. Before her money ran out, before Thursday rolled round again, Sally went to the butcher and bought two steaks.

"A fifteen year old boy needs iron," she said.

"A nine iron," Billy replied.

"Forget the golf," his Mom said. "Think about school."

In his room Billy stood in front of the mirror. Everyday he dressed the same; white shirt, tie, slacks, and cap on his head. On Billy's bureau was a picture of the legendary golfer, Ben Hogan, dressed the same, a cigarette in his mouth, and a smile of god-like confidence on his face.

Billy checked the mirror until he was satisfied, then crawled out the fire escape onto the roof.

He stood there looking across the East River, the water's rapid course chasing an ocean tide.

"They put a new tree on the 18th at Pebble Beach," he said.

"It's the same shot," Hogan said. "There's only one way to reach that green in two."

Billy swung, a powerful stroke; the ball faded along the rocky coast of California and settled near the tree.


One day Sally made an appointment with the principle of Billy's school, Mr. Judson.

"I'm worried," she said as soon as she took a seat.

Mr. Judson looked down at papers on his desk. "He has passing grades."

"But the way he dresses . . ."

"He's the best dressed kid in school."

"But it's so unusual, and he rarely talks at home. Everything seems to be about golf, and there is no golf in Manhattan. He's never even been on a course."

Mr. Judson leaned back in his chair.

"I've seen this with children before," he said. "They chose to a follow a path no one else would think to take. It isolates them more. They can't deal with things so that's what they do. Maybe you should take him to the Van Courtland golf course in the Bronx."

Sally thought about that, but there was no money for things like golf. The rent was barely paid every month. Sally already answered phones at a law office all week and worked four shifts as a waitress at the Heidelberg Haus. Billy never complained. He was content walking the streets, playing courses in his mind.

The island in the middle of Park Avenue was the island green at Saw Grass. The Dag Hammarskjöld Plaza served as the approach to the seventh at Balustrol. The potholes on Lex marked the bunkers at Saint Andrew. With Hogan by his side he played every course.

He missed sometimes, just to give Hogan something to carp about, but mostly his swing was locked and the crowd hung on the ball's arc, then wildly cheered in Billy's head when he nailed a shot.

In her heart Sally knew what it was that drove her son to lose his days.

Billy drifted toward the green fairways to avoid the ranked fields of blue. Lines of men, white gloves and measured step, a piper's lament floating over all, a mayor's platitudes, meaningless to the boy. Ranked fields of blue, white gloves and measured step, muffled drums beating on and on, echoing off the gothic spires, and forever in his soul, the tolling of a solitary bell.

On Thursday nights Sally went to dinner with a man named Hank. When Hank came to call Sally made Billy come out of his room and shake the man's hand.

"Nice and strong," Hank always said. "That's the way a man shakes."

He showed Billy how to clasp a certain way.

"If you do it wrong, I can squeeze your knuckles." Hank then made Billy do it again and squeezed his knuckles until Billy winced.

"See?" said Hank. "Never let a man do that to you."

"You don't like Hank, do you?" Ben Hogan asked.

"My Mom likes him."

"For years my mother lived alone," Hogan replied.

"Before my father died Hank worked with him on the police force."

"It's worse you know, if the gun was in your father's own hand."


One night at a restaurant Sally told Hank she was worried about her son.

"Fifteen's a tough age," Hank said.

"Ever since Jimmy died – Billy just seems so lost without his father."

"Jimmy was a good man, Billy will be too."

Hank poured wine into Sally's glass and she took a sip.

"He needs a man," she said.

"I can't be Billy's father."

Hank and Jimmy had worked together for fifteen years. He'd been there when Jimmy was shot, watched the stream of blood snake from his friend's chest across the sidewalk and into the gutter.

"Remember at the funeral?" Sally asked. "All the police officers in their dress uniforms and pipers and the mayor – remember what he said? James Malloy gave his life in service to us all. Jimmy didn't give his life. Some junkie took it from him because he needed a fix."

"Sally, Jimmy loved the job."

"What about us, Hank? What about Billy? How can a boy live in a world where his father died for a twenty buck high?"

In his room Billy had posters of Hogan on the wall. He knew everything about the golfer and the way he played the game. He knew about the struggles and the car crash and Hogan hobbling on, the ball always in control, each motion on the course perfected and followed in focused ritual, Hogan always dressed in pressed cool.

"Forget about me," Ben Hogan said, "Concentrate on the shot."

"I'm not sure which club to hit."

"You need to be sure. Don't swing until you know."

"But what if I never know?"


He passed the days and nights this way, the other kids in school wary of the boy dressed in shirt and tie, his eyes on some distant place. Sally worked her two jobs, spent some time with Hank and watched her son. There was nothing wrong with Billy's grades. He did his schoolwork and helped around the apartment. On Saturdays he made some extra money working with the super, cleaning the basement, or painting hallways. Billy seemed content enough; he was just never there.

One Thursday night Hank arrived with a paper bag in his hand.

"This is for you," he said, handing the bag to Billy. "It was always on a shelf at the precinct."

"What is it?" Billy asked.

He opened the bag and took out a garden gnome, paint chipped and faded from the years, but with a placid smile on its face and merry eyes.

"Your father loved that gnome," Hank said. "He even gave it a name – Oscar."

Billy remembered the gnome; it sat over by the window behind his father's desk. When he visited the station house he always wondered why it was there.

Sally got her coat and turned to her son.

"Are you going to be okay? You can call me on my cell if you need me. I won't be late."

She kissed her son and they left.

Billy took the gnome to his room and placed it on a shelf. He sat on his bed, looked at the dark eyes, red hat and the white beard that flowed down across the gnome's puffed out chest.

After a time he took the gnome back off the shelf and climbed out his window, onto the fire escape, up to the roof.

A field of urban stars filled the night, a thick quilt of combustion chants, siren counterpoints, the air laced with tendrils of carbon.

Billy held Oscar in his hands, presented him to the ocher sky, then smashed the gnome against the wall. He picked up each shard, then smashed them again and ground the plaster with the heel of his shoe into the tar. When he was done he took the pile and dropped it off the roof, watched the plaster remains fall to the alleyway and shatter into dust.

He stood and looked across the sweep of concrete and steel.

A massive drive, a rising arc, the ball drawing past a cliff of glass and bouncing down the avenue.

There was something different this night. It was not the rolling fairways and impossible greens of some distant course; it was the city itself he played.

He went to his apartment and got his jacket, then took the stairs down to the street and began to walk.

There was no sense to where he went, he just followed the ball, sensing the contours of the asphalt challenge and swirling winds slipping between the tall buildings.

When Sally got home she looked for Billy in his room, then crawled out the fire escape and checked the roof. There was an instant moment of fear that quickly grew into a clammy clasp around her racing heart. She phoned Hank on his cell. He returned and got on the phone to the precinct house.

"He probably just went for a walk," he said.

"It's two o'clock in the morning!"

"Sit down, Sally. I'll get you a drink. We'll find him. Don't worry."

Quiet words, a policeman's charge, but Hank had been a cop a long time. He knew the city and its edgy ways. Methodically, he checked the front door to see if there were any signs of forced entry. He went to Billy's room and tried to get a sense of the boy there. He went to the roof and carefully roamed his eyes across the tar. By the ledge he found a small piece of the garden gnome. With a clinching gut he looked over the side, down to the alley, then went to the alley itself, found more pieces of the gnome, but no sign of Billy. He was almost relieved, but when he returned to the apartment Sally saw a look in his eyes and questioned him as to what he'd found.

She dropped her face into her hands and wept.

By now more policemen came. The apartment filled with the procedures surrounding the event of a missing child. Too many questions, too many eyes set in knowledge of things like this and where they led. Sally herself, a policeman's widow, knew too much. She fled to the roof and stood there looking at the city, watching the sun rise, streaking the agitated current of the East River.

Hank found her after awhile and put his arm around her shoulders.

"He has no friends," Sally said. "Ever since Jimmy died – he's so alone."

But that wasn't true.

"It's a water hazard," Ben Hogan said.

Billy stood by the harbor side, along the Esplanade, down by Bowling Green. He'd walked all night, playing a winding course in his mind, through streets, across plazas, carving arcs through the canyons.

"A hard driver might make it," Billy said.

Across the waters Liberty stood in the morning sun.

"Impossible," Hogan said.

"Isn't that what you always did? Made the impossible shot?"

"No, that's not what the game's about."


A Staten Island ferry swung past them, a thousand people on its decks, workers heading for the Wall Street cubicle farms.

"At the US Open in 1950," Billy said, "no one thought that one iron would reach the green."

"It reached the green. It was not an impossible thing to do. What is possible – that's what you want to see -- an impossible thing is just a waste of time."

"But you saw things others didn't."

"I dug them out of the dirt," Ben Hogan said.


Behind them the urban day unfolded as the restless city rose again to meet another morning. The current scurried around the island's tip, on a precarious balance between the turning tides. They stood there a moment looking out over the water and then Ben Hogan said:

"Let's go home."

When Billy arrived home the policemen swarmed him with questions. Sally's motherly sense took charge and she scooted all the men out of the apartment and put Billy into his bed. He slept most of day and in the early evening she went into his room with some soup and toast. He sat up and began to eat. She sat on the edge of the bed and stroked his leg.

"I'm sorry, Billy, for what happened to us."

"It's not your fault, Mom."

"Your father would have been proud of you."

Billy ate his soup for a moment and then put the spoon down.

"Mom, you know, I used to think if I wished hard enough I could make Dad walk back in through the front door."

"Billy, I . . ."

"No, it's okay now, Mom. I understand that's impossible. I just miss Dad, but I guess – well, missing him is okay too. Maybe missing him is the best thing. I'm not going to hide from that anymore."

Sally leaned over and kissed her son on his brow.

The next morning there was a knock on the door and Hank stood there.

"Come on, Billy, we're going for a ride."

They drove in Hank's old Ford over the Madison Bridge and North on the Deegan into the Bronx.

"Where are we going?" asked Billy.

"To Van Courtland. We have a 10AM tee time."

"I've never played golf."

"Then you start today."

In the parking lot Hank opened the trunk and pulled out two sets of clubs; he handed a bag to Billy.

"You can have these. It's my old set."

Billy ran his hand over the clubs. The steel was cool to his touch. They hefted the bags and made their way toward the first tee.

"This is the oldest public golf course in America," said Hank. "That's something, huh?"

On the tee Hank swung his driver and the ball scooted over the grass, settling barely fifty feet away.

"I guess I need practice," he mumbled. "Okay, do you need me to show you some things?"

Billy took the driver, felt the weight in his hands, took his stance and swung. The ball sailed into the air and then turned right in a huge banana slice, landing behind some trees halfway down the fairway.

He shook his head.

"I guess we'll have to dig it out of the dirt."

"What's that?"

"Something Ben Hogan used to say."

"What's it mean?"

"I guess it means you've got to work things out for yourself," Billy said. "Nobody can do it for you."

Hank thought about that for a moment and nodded.

"Okay, let's go dig it out of the dirt."

They put the bags across their shoulders and began to walk down the fairway.

Wednesday, April 13, 2005

Rachmaninov's Bridge

Rachmaniov's Bridge

by Mick Hale



Where the heart resides: in a shifting place bound by memory and betrayal, and a deep-set yearning for that most elusive of things, love.

Lisa sat in the window, something she often did, thinking about things like love. Oh, there'd been times.

Bobby Moore. Up on the roof, every night for a month. She'd ached for Bobby. He had this way with words.

"I'm a poet."

That was the first thing he'd said. Lisa's heart melted on the spot. One day Bobby was no more. He stopped calling, stopped everything, and just disappeared. No love there.

There'd been Franco. Gold chains, tight jeans, hair plastered to his skull by an abundance of product; there wasn't a reflection Franco passed without a quick coif check. Ah, Franco. No room in that great self involved heart for Lisa. Franco moved on.

Of course, there was one. In every heart there was that missing one. In Lisa's heart it was Scott. Lisa remembered this: blue eyes flecked with green, long tapered fingers, a soft voice, a slow, lingering smile, silence. Scott kept things to himself. He listened, seemed to take forever to answer, sometimes answered with a single word. Lisa was the best part of herself with Scott.

The worst part of herself sat in the window and thought about Scott, thought about the day Scott left forever.

The worst part of the worst part was Lisa holding the door open and slamming it shut after Scott left. The door slam felt good, and final, and satisfactory. That particular feeling lasted about eight minutes. Then Lisa sat down and cried for three days.

Life never stops for heartache. Lisa's mother, Carla, became sick. Not rush to the hospital sick, not surgical knives and miracle drugs sick. A slow lingering fall from the world, a creeping mist across her mother's eyes, a vast empty space settling around her mother's heart.

Her mother was there, but her mother was gone. She sat in her chair next to the old upright piano no one ever played, a throw rug tucked tight around her knees, spending most of every afternoon sipping from a single cup of tea. Tiny sips, a thousand tiny sips. That was Carla's day.

"Just watch her," the doctors said. "She might wander one day."

Wander? Carla sat in her chair all day and Lisa read books by the window. Every now and then Lisa glanced up, looked into her mother's eyes. Every now and then Carla spoke.

"And who might you be, dear?"

"It's Lisa, mom -- your daughter."

"Oh, I have a daughter? That's nice."

Lisa's world became Mohammed's Grocery Number Eight, and the Slave To The Grind coffee shop, and Mrs. Rodriguez on the stoop. Mrs. Rodriguez was always on the stoop.

"How's mama today?"

Mrs. Rodriguez asked that everyday. A kindness, a simple question. Lisa hated the question. She saw something else in the woman's eyes. She saw a reflection of herself, a young woman, not so young anymore; a young woman who sat in the window, read books, did nothing more than look down at the street and the world passing by.

Day followed day. It was better not to dream. Lisa went to the piano, took the carriage clock off the top, put it in the hallway closet. It was better to let time suspend.

One morning she sat in the window and saw spring grace the city day. She settled Carla in her chair, took her book, walked to the park and the aspen trees, the rows of dark flower beds prepared to birth scents of summer days not too distant now. On a bench she tilted her head back, let the winter chill bake from her skin. It had been a long winter. Winds iced in the north, howled along the avenues; the price paid for days like this.

She felt a shadow fall across her closed eyes.

"Lisa?"

Her father stood there.

How many years? Ten, perhaps.

Her father's name was Sven, a tall and handsome man. A salesman with a tongue as smooth as silk, a restless nature knitted deep in his bones.

He sat down next to his daughter.

"It's good to see you," he said.

"How have you been, Sven?"

An awkward pause stretched across the years.

Lisa knew her father would fill the silence. There was no silence in her father's world.

"How is your mother?" he asked.

On the ground two pigeons were in a mating dance across the cobblestone; one pecked, one fled.

Lisa left Sven's question hanging in the air.

"Lisa, I've heard – I've heard how Carla is."

Lisa turned to her father.

"I thought you were in Texas."

"I was."

"And married."

"That doesn't work for me, I guess. I'm better on my own. I did well in Dallas. I was the top salesman at a computer firm called Drysco. I'm retired now."

"Good for you, Sven," was the simple thing she said.

Silence was the only weapon she had against her father. She ran to her heart and checked the box marked Sven there. It was still locked, still secure, all the memories, all the hurt safely sealed away.

She stood.

"I've got to get going."

"I'd like to take you to dinner."

"Not tonight. I'm busy tonight."

"Tomorrow then. I'll pick you up at seven."

"I don't . . ."

"Lisa, please. It's important."

Inside she felt the box lid creak.

"Alright," she said. "But not at the apartment. I'll meet you here."

She saw it in his eyes, a flash of relief. She didn't understand. This man, this source of so much anger, his words were there, sharp words, cutting words, there was no relief in her heart from the memories.

He turned and walked away. And then she saw.

He is not the man I knew. He is older now, the years wrapped round his spine. It is the years that brought him here.

When Lisa returned to the apartment, Carla was in her chair. The teacup was empty, but Carla still put it to her lips, taking invisible sips.

"Mother," Lisa said, "I saw Sven today. He looks much older now."

"Do I know you, dear?"

Lisa knelt in front of her mother. Carla still had the loveliest smile. She took her mother's soft hands in her own.

"It's Lisa – I'm your daughter."

"Oh, I have a daughter? How nice."

The next morning Lisa lay in her bed and let the day grow outside. Usually she was up before dawn, but today she watched the streaks of sun crawl across the wall. She listened to the city wake. Mohammed ran his iron gate up. A street-sweeper passed. She imagined tiny swirls of dust disturbed into the air, only to fall to the gutter again.

It's alright, she thought. She didn't know why, it just seemed that way. It's alright.

The day went quickly enough. She even had a bright smile for Mrs. Rodriguez.

"Your mama feeling better today?" the old woman asked.

"Nothing ever changes. Is that good?"

"Sure, mostly change is a bad thing it seems to me."

At seven o'clock that evening she walked down to the park. Her father waited there.

They went to a little bistro called Julia's and her father ordered wine, spoke French with the waiter.

"Un vin de Province, je pense. Chateaunuef du Pape?"

"Naturellement, monsieur, qui serait un bon choix."

The waiter left, silence came. Her father filled it with translations of the menu, musing over choices, then deciding for them both what it was they ate. Lisa was content to sit there, let her father speak, and they found their way, as sometimes people do, through the meal with small talk, nothing of consequence, carefully skirting topics that might ignite a fire.

Finally, over coffee her father said, "I was wondering – when I left all those years ago, there was a trunk filled with some things of mine. Some medals that belonged to my father, and a Norwegian flag, some pictures of my mother. Do you remember it?"

Lisa nodded.

"I would like it back. When a man gets old . . ."

"I don't have it."

Her father looked at her. "But it was always there."

"I took it to the dumpster, tossed it all."

It made her feel good, this blow to her father's heart. She saw the color rise in his face, felt a passing moment of regret, but didn't speak.

Sven said, "Those were the only pictures I had of my mother."

Lisa was sure now there was a way to seal her father away forever, to secure the box and throw away the key. She spoke slowly, everything drained from her voice. She had waited for this moment for years.

"I have a picture of my mother, Sven. I see it everyday. She is sitting in a chair. She never moves. Her world is lost to her. Her heart died long ago. There is only time now, endless times, but no memories, no joy, nothing left of her at all. That is the picture of my mother I see everyday. I share it with you now. I want you to take it and look at it everyday. That picture is the life you left us with, Sven. It is yours to keep."

She left Sven sitting in the restaurant.

The streets were full of life, the city on a Friday night, the first warm night after winter's draft; a night for theater, lingering dinners, and couples wandering at lovers pace. Lisa had no eyes for the crowds she passed. Her heart was heavy. This wasn't right. On the night of her triumph, her victory, her father vanquished, she slowed her steps to a stop, almost turned around, then gathered herself and started for home.

There were no dreams that night. In the morning she rose and began again her life with Carla; moving her mother to the chair, fixing her tea, sitting in the window, and pretending as the day progressed, nothing had changed at all.

On Sunday morning the doorbell rang.

Lisa looked through the peephole; Sven nervous in fish eye, dressed in a serge suit, as if on his way to church.

She opened the door.

"Good morning, Lisa."

"Sven."

A hallway of silence, for once, Sven at a loss for words.

"Would you like to come in?" she asked.

"I wasn't sure you'd invite me in."

No, thought Lisa, you're not sure you want to come in. She stepped to the side.

Sven had in his hand a small bouquet of flowers, an empty gesture in Lisa's eyes. She took them and put them on a table. Carla looked up from her chair, a bright smile on her face.

"Hello," she said.

"Carla, my dear, you look well."

Lisa moved to her mother's side, put her hand on Carla's shoulder, felt the bones beneath her mother's paper-thin skin.

"It's Sven, Mother. Do you remember Sven?"

Do you remember his handsome face and easy laugh, his words that could charm the flowers into bloom? Do you remember the hopes and the dreams you shared, the child you bore? Do you remember the empty nights waiting for him to come home and the endless night he never did? Do you remember these things, Mother?

There was a blessing to Carla's timeless fog; she remembered nothing at all.

Coffee was made and served in china cups; cream and sugar and a trembling veneer of civilized chat. Nothing said, everything unspoken, cautious glances, laughter quick to follow and trailing into a bottomless canyon. Carla seemed to enjoy Sven's stories, though she couldn't follow one sentence past the other and kept asking the same questions. He was patient, went over things again, and for this at least, Lisa was grateful.

There came a moment when Sven turned to his daughter and said, "I've learned something and I want to share it with you."

It was some tone in her father's voice, some set to his words, some lingering shadow in his eyes that turned Lisa's heart to ash. The box broke loose spilling all the tears, all the sorrow, all the pain onto the floor.

"Something you want to share," she said. "Something you've learned. How nice of you to come up here, to sit in a chair and drink coffee after all these years."

Sven stammered at his daughter's frozen glare.

"Lisa, I . . ."

"Do you think this is enough? A bouquet you bought at Mohammed's on the corner? Small talk to a woman whose heart you ripped out of her chest, now that she no longer knows who are, has no sense of the pain you caused? You're making a fool of her, kneeling in front of her, listening to her, telling her stories like she's a baby. We don't want you here, Sven. We don't need you here. You didn't come to visit, you came to try and ease the guilt rattling in your head. You came to try and find some peace, or find closure, or whatever idea you had, but you didn't come because you care for us, or you missed us, or any other Hallmark moment worth the price of a cheap greeting card. You came here for yourself. It's always been about you, Sven. And it always will be."

"Lisa," Carla said. "Do not talk to your father that way."

Lisa turned to her mother. "Mom? Do you remember? Mom?"

Her mother always had beautiful eyes, almost gray, set in sadness. In her day Carla captured hearts with her eyes. She looked up at her daughter, a flickering smile on her lips. No words, just that smile and those beautiful, gray eyes.

Carla picked up her cup of tea and took a tiny sip. She put it down again. She picked up the cup yet again, took a sip, put it down. The china made the smallest chink.

A piano note, a single one, followed by another; Sven sat at the old upright and began to play. Lisa had never heard her father play. Those crooked keys had not been touched since she was a girl.

Sven sat there, his shoulders hunched, his back to both the women, and played a piece by Rachmaninoff, something he'd learned, something he wanted to share. Melodies from another place, another time.

The sound was delicate, hesitant, not a master's touch, but Lisa's father's touch.

"Lovely," Carla said, when he had finished.

Sven looked across at her a moment and then stood.

"I didn't know you played," Lisa said.

"I have so much time now," Sven said. "Something to do, I guess. Something from when I was a boy."

Lisa went and sat in the window. She kept her face turned from her father. "It's not enough, you know. To arrive after all these years and play a piece on the piano."

"No," said Sven. "I suppose not."

He went to the door.

"Are you going?" asked Carla.

"It was good seeing you again," he said, then closed the door behind him.

Lisa watched him from the window. His walk was slower. He never looked up.

She went into the kitchen, took a vase out of the cupboard, filled it with water, placed Sven's flowers in, set it on the piano. She ran her fingers lightly across the keys, not pressing down, not striking a note, just feeling the old and worn ivory.

She went and sat on the floor by her mother.

"Mom, Dad was here."

"My father? I don't remember him."

"Not your father – my father – your husband."

"What was his name?"

"His name was Sven."

"Oh, Sven, I like that name."

Lisa laid her head on Carla's lap. After a moment, Carla lifted her hand and gently brushed it through her daughter's hair.

Friday, March 25, 2005

Jesus Candles

Jesus Candles

By Mick Hale


Within routine there was salvation. Father McGinty thought of it that way. Prayers lost in the urban maze, angels tossed into alleyways, saints for sale on every street corner, Father McGinty's faith was a distant echo after twenty-six years as parish priest at Saint Agnes.

He accommodated his doubts by following routines. Seven-thirty mass, parish council meetings, birth, death, vows, heartache ringing the front door bell at all hours of the night and day. The priest knew the words, he knew the terms of the deal, he just didn't believe anymore.

Sometimes he put on his cloth cap, pulled his windbreaker tight around his neck and left the rectory, went down to the park on twenty-third, sat on a bench, not a priest, not a holy man, not some magical being with a pocketful of answers and a hotline to the desk of the Almighty. He sat there as a man. A man lost like a million others in the city.

There was this window in a little shop over on Tenth filled with Jesus candles. Yellow candles, red candles, blue candles, each set in a glass with pictures of Jesus etched into the side. Father McGinty stood there one day and thought, take all the Jesus candles, light every one, put them all on a mountain, an entire mountain of flickering Jesus candles, and they would not make one drop of difference in an indifferent world.

One Wednesday morning he was locking up the church after mass when he noticed a Metrocard on the floor. He picked it up, put it in his pocket and didn't give it much thought until a couple of hours later when he passed an entrance to the subway. There was nothing much to his day. He was wandering. In the evening he'd visit patients at Saint Vincent's Hospital. Until then he was free. He rarely left the neighborhood. He turned and descended the subway stairs.

The Metrocard had twenty bucks on it. Twinge of guilt. He should put a notice on the bulletin board at the back of the church. Some parishioner might claim the fare card. He stood there a moment, then swiped the magnetic strip through the slot and moved through the turnstile.

The city's not built on rock. It's built on I-beams that run to the center of the earth. It's slung from a cradle of cooper cables. It sits above fiber optic fields, hissing veins of steam, and below all, layers and layers of bones buried by tides of immigrants piling their city one on the other.

The priest rode the subway with no destination in mind. At Times Square he got off, took the shuttle to Grand Central, boarded the number six and rode downtown again. At Chambers Street he stood on the platform as the subway pulled away from the station. The other passengers made their way to the exit. He sat down on a bench. There didn't seem to be any other place to go.

"How you doing?"

Father McGinty looked up. A young man stood there.

"I'm fine. How are you?"

"I got some work to do down here. I got to fix the tracks."

The man told Father McGinty he worked for the city, used to work for the sanitation department, but then got an electrician's license and started a job with the MTA.

"Better money and all."

"Do you have a family?" the priest asked.

"You're thinking a man looking to make more cash has got responsibilities, right? No, I'm on my own. The right woman comes along, that's something different. So, you okay?"

Father McGinty smiled.

"It's good of you to ask."

"You work down here all day, you see folks. People just ride around. I've just gotten into the habit, you know, asking them if they're okay. Maybe give them directions, move them along. My name is Jose."

Father McGinty stood.

"Father McGinty. I'm the parish priest at Saint Agnes."

"On 18th street? Sure, I know that place. My mother, she went to church everyday. I never got what it was about myself. You take care, okay?"

He picked up his bag of tools, went to the end of the platform, jumped down to the tracks and disappeared down the tunnel.

The next day Father McGinty went back to his routine. On Thursdays he always visited the Little Sisters of the Poor's mission on 12th. He saw God dancing in their eyes as they went about their work. It made him feel an interloper, a cardboard soul hidden behind his priestly garb.

When he returned to Saint Agnes he found Jose sitting in the pews.

"Father McGinty. I was hoping you'd show up."

Father McGinty was almost disappointed. The conversation in the tunnels with Jose had lifted his heart in some way. Now the man was here, perhaps looking for something a priest might provide. Father McGinty wasn't sure he was the man for the job anymore.

"Is there something you need, my son?"

"Not for me. I mean, I don't think a man like me can just turn on a prayer switch. Never been a God guy exactly. No, I just need like a holy person to come and look at something."

A holy person? Father McGinty had never felt like less like a holy person his whole life.

"What do you mean?" the priest asked.

"Just meet me down at the Chambers Street station, maybe tomorrow around ten?"

"I can do that, but why?"

"It's not something I can tell you about. I got to show you."

Friday morning Father McGinty sat in the Chambers Street station waiting for Jose.

Trains came and trains went. Between trains the station grew still. Quiet issues of rumbles and screeches floated through the tunnels. The priest felt he wasn't under the city, but inside the city, wandering through the body of the city, surrounded by the blood and guts of a great beast.

Jose came walking down the platform, a bright smile on his face.

"I wasn't sure you'd be here."

"Why not?" Father McGinty asked.

"What do I know about priests? Come on."

Jose led Father McGinty to the end of the platform and inserted a key in a steel door.

"I could lose my job for this, but there's something I want you to see."

They went down a flight of steel stairs, then walked along a tunnel streaked with cables, lit only by a work light every thirty feet or so.

"It's a different world down here," Jose said. "You know, there's people that live down here, maybe whole families. We call them moles. You see them sometimes, but if they hear you coming they have a way of disappearing into the shadows."

Down another flight of stairs, the lower they walked the staler the air, a rising vapor of ancient dust, a thick heat wrapping itself around Father McGinty's skull.

"Other guys don't like the tunnels," Jose said. "They want to get the job done and go back topside."

"And you like it down here?"

"People run around the streets up there all day. Everybody in the city has to be someplace else. You live your life like that you forget just to sit and be where you are. Down here, well, it's like the root of things, you know? Where this whole mess started. There was a time when I used to think what the hell is going on? Maybe we should all just stop and figure things out for a while. Down here I get a sense of -- I don't know. Being down here makes it a little easier to understand up there."

They came to a ladder. It went straight down.

"You got a thing about heights?" Jose asked.

Father McGinty shook his head.

"I don't suppose I do, though I never thought about it."

"Yeah, well don't look down, and don't step on my hands. I'll be right below you."

The iron rungs of the ladder were covered in light grease. Father McGinty was cautious. His hands could slip. He might tumble off. As they went lower the work lights were fewer. The shadows closed in.

"Some of these light bulbs down here, they've been burning for sixty years or more," said Jose. "How about that, huh? They've torn down and re-built the city like eight times. These lights on, nobody ever down here, untouched, people up top not even knowing about them."

They reached the bottom of the ladder.

"You don't have to worry about rats down here," Jose said. "They don't come down this low. Too far from the garbage."

Jose paused for a moment so Father McGinty could catch his breath.

"We're kind of running out of concrete. Right ahead we'll be walking on dirt. The walls are bedrock. Not far now."

The air became cooler. It was a relief after the heavy heat.

"Right up ahead," said Jose.

He took out a flashlight, shined it on a wall. There was some sort of niche in the stone.

"There's a little ledge you can stand on. Look inside."

Father McGinty peeked into the niche.

"Take this," said Jose, handing the flashlight to the priest.

Inside the niche was a wooden box, a slot in the top, a small cross carved into the side.

"It looks like an old church collection box," Father McGinty said.

"Yeah, and you look at the back of the wall and you see a cross painted on the stone, and there's mounds of wax. I suppose somebody burned candles here once."

"You think it was a grave site?"

"I thought about that. It kind of creeped me out thinking about it. I didn't want to look in the box."

"You looked inside?" asked Father McGinty.

"Here, let me up there a second."

They exchanged places and Jose took the box out of the niche and laid it on the dirt. He opened the lid. Inside were five gold coins.

"They're pretty old," said Jose. "I don't know much about coins, but these ain't the kind you get as change from a candy machine."

Father McGinty picked up one of the coins and held it in the flashlight beam.

"I think this writing is Spanish."

Jose said, "You'd think I'd know that. But it ain't any Spanish I recognize."

Father McGinty put the coin back in the box.

"Why did you bring me here?" he asked

"Yeah, I thought you might be wondering that. You're thinking why don't I just pocket these? They got to be worth something, right?"

"It's the cross and the candles. They're making you hesitate," Father McGinty said.

"That's smart of you. That's what I thought when I met you. You get it. Like I said, Father, I'm not what you call a church guy. But somebody put these here for a reason, and they probably did it a long time ago. If I tell the city about this, or any of the guys I work with, they're going to scoop up these coins -- just another payday for them. But when I found this, I don't know, it just seemed to demand respect. Is that the word? I thought maybe somebody on closer terms with God should be involved. What do I know about crosses and candles and church collection boxes? And maybe . . ."

Jose paused here a moment.

"This is going to sound dumb, but maybe there's a curse or something. Something you don't want to mess with."

"So, we put them back," said Father McGinty.

"No, I want you to take them."

Jose took a plastic bag out of his pocket and slipped the box inside.

"Like I said, these were put here for a reason," he said. "Something that has more to do with your world then mine. You will know what to do with them."

No matter what Father McGinty said, Jose wouldn't change his mind. They climbed back up the ladder and made their way out of the tunnels. When they stepped back out onto the streets the city hummed around them. The cars, the buses, the sidewalks crowded with people rushing home. On the surface nothing had changed.

"Jose," said Father McGinty, "I'm not sure about this."

"Whatever you decide, Father. It will be the right choice."

He smiled, then turned and was quickly lost in the crowd.

The priest returned to Saint Agnes. He went to his room in the rectory, opened the box and spilled the five coins onto his bed. He was reluctant to pick them up. The coins lay there, the edges catching the light.

So many things had changed in the church. Sometimes only three or four people attended the morning mass. Once, three weeks ago, he said the mass in an empty church. When he reached the communion part of the service, he stopped and left the altar.

These coins were worth quite a lot of money. Father McGinty was sure of that. The Archdiocese would be grateful for the gift, but how would they spend it? The Cardinal sent letters instructing priests to solicit parishioners for bigger contributions. There were more letters than ever now.

Father McGinty wanted to pray, but prayers seemed a vacant gesture. They lay hollow in his heart. He thought about the money the coins would bring and what he might do with the cash. Perhaps another place, another life might give him peace. It seemed forever since he'd had a peaceful day. I will keep the money, he thought.

He lay down on his bed, closed his eyes and passed the night without dreams.

In the morning he rose and got dressed. He sat in his room and let the clock pass seven-thirty. There was no reason to open the doors, no reason for the daily ritual. He put on his coat, slipped the five coins into his pocket and walked downstairs through the church.

When he reached the front doors, he paused a moment and looked at the empty pews of Saint Agnes, then walked out the door and locked it behind him. He stood on the steps of the church. The crowds surged passed. No one glanced at the marble facade of the old church.

It's easier to understand up there from down here, Jose had said. Father McGinty smiled and walked down the block.

That afternoon Sister Rosalie from the Little Sisters of the Poor opened the door to the mission house. She picked an envelope off the stoop, opened it and blessed herself. Inside was $11,964 in cash and, inexplicitly, a Metrocard with sixteen dollars of fares still on it.

Later that night Father McGinty took a lighted taper and lit a wick. Then he went and sat in a pew of the church. There was no city outside these thick walls, only a deepening silence. Father McGinty sat there and let the hours pass. The shadows danced in the light of a single candle.

The Sylphs Of The Chrysler Tower

The Sylphs of the Chrysler Tower

By Mick Hale


When Lovemore got off the ship he was in Brooklyn. Three months on the ocean made him want to kiss the ground. The fact he was in America made him want to kiss the ground. Lovemore wasn't a man who hid things. He got down on his knees and kissed the ground.

"Lovemore," another sailor said. "You like American germs?"

"I'll take them into my heart," Lovemore answered.

He collected his pay and made his way to Chinatown, where he rented a room. The landlord wasn't Chinese. He was a guy named Lucky.

"I got three buildings," Lucky said. "You meet a woman, you want to start a family, you come see me. I'll get you a bigger apartment."

Lucky stood there looking at the man.

"Where you from?" he asked.

"I am from Natal. In South Africa. I am Zulu."

"Zulu, huh? That's different. The girls will like that."

Lovemore had no time for girls. He had to find a job. Lovemore's mama gave him a big smile. Lovemore's papa taught him to respect hard work. He walked the city streets, looked at the cars and people, breathed in the buzz and thought, "This city is mine."

Eight million souls, each day a death match between ambition and desire, and Lovemore just took it in and smiled. "This city is mine."

The city had other ideas.

Two weeks went by, then three. Every morning Lovemore looked in his wallet. The city ate his cash.

After five weeks he finally got some work.

The Hudson Diner was owned by a guy named Gino.

"We're open twenty-four/seven," Gino said. "You work the night shift."

Breakfast at the Hudson was Wall Street ramping up for a day of gobble-gobble, let's make money. Lunch was cubicle mavens with thirty minutes and tuna on rye. The night shift? Cops, junkies, whores and musicians, a whole flotsam of wired eyeballs and rapid-fire mouths, couples looking for the Holland Tunnel, loners looking for neon love. The night shift was the city on speed. Lovemore loved every minute of it.

The night shift was also Angie. Lovemore had never met anyone like Angie.

Angie was from Coney Island and worked as a waitress at the diner.

"You come out to my mother's house, Lovemore. She'll make you dinner, you won't have to eat for a week."

"Would your mother like it if you bring a Zulu man home?" Lovemore asked.

"I bring you home as a boyfriend, she's going to have issues. She's old school. But I bring you home as a boyfriend you got bigger problems anyway. I go out with this guy Kenny. He's a fireman. You look at me crooked, he breaks you in half."

Sometimes, in the middle of the night, Kenny parked the fire truck outside the diner. Lovemore liked the man. Kenny usually ate at the counter and tipped Lovemore, as well as Angie.

"You know what I think we got to do, Angie?" Kenny said one night.

"Go for a ride in your truck to the river and make-out?" Angie asked.

"The chief sees me doing that, nothing nice will happen."

"So?"

"We got to find Lovemore here an American woman."

Kenny started pounding the counter, singing a song Lovemore didn't know called 'American Woman.' In his homeland people sang all the time, at work, walking down the road, it didn't take much to make a Zulu sing, but it was strange to hear this fireman's voice. His rhythm was like a one-legged locust bug. Lovemore watched Kenny put on his hat and walk singing out the door.

There were regular customers at the Hudson. They came in every night and Lovemore learned their names.

Kyle. He weighed three hundred pounds and always had pancakes with a side of bacon. Father McGinty. He worked at Saint Agnes and usually stopped by after his nightly visit to the hospital. There was Sarah. She lived in a loft on Spring Street.

"You come by, I'll show you my pictures," she said one night. No Zulu woman ever said a thing like that. America was such a different place.

One night Kenny pulled the fire truck up to the diner, went to the back, and took a bicycle off. "I found this in a dumpster."

He pushed it toward Lovemore. "You can have it."

"You are giving me a gift?" Lovemore looked at the bike, pushed it back and forth. It was very light. It would be a fast bike.

"Thank you," said Lovemore.

"Don't get all weepy," said Kenny. "It was in the trash."

Angie cuffed Kenny in the back of skull. "Hey, if the guy was burning in a building, you'd carry him down a flaming staircase. Just accept his thanks. Don't be a jerk."

The bike flew up the avenues. Only the garbage trucks were out on the streets at four A.M. Lovemore pedaled with demon speed, past shop windows filled with gossamer things, and gothic eyes and urethane bones, until he made a turn and saw in the sky a soaring tower topped by a silver spire, shimmering against a deep, black sky, hovering on steely wings, and protected by eight eagles forged from steel. He stopped and smiled, then began to pedal once more, around the tower and around again. It began to rain and Lovemore looked up into a fall of shimmering drops, the iron birds of the tower still there, defiant against the weeping sky.

He pedaled faster in the rain and sang a song that went like this:

Imvula! Imvula!
Chapha, chapha, chapha chapha
Imanz impahla yam
Imanz impahla yam
Chapha, chapha, chapha, chapha


The next night at the diner Lovemore was filled with stories of the city and the things he'd seen. He asked Angie about the tower.

"The Chrysler Building," she said.

Kenny put his cup of coffee down and said, "You know what I heard? At the top is an old room they used to call the Sky Club or the Cloud Room or something. Nobody uses it anymore. There's a whole lot of ghosts up there, I bet."

Angie was counting tips on the counter. Without looking up she said, "You're freaking Lovemore out."

"No," said Lovemore. "I believe Kenny. In Africa there is this tree near my home. My father told me spirits live there. I said to him once, why would the shades live in this tree? He said beautiful things in the world attract the ancestors. They wander in the shadows, but the beautiful things in the world are like beacons to them."

Every night after work Lovemore rode his bike through the city, the Chrysler Building serving as a compass, an anchor in the asphalt labyrinth. One time he rode until dawn, the rising sun painting the carved steel of the Chrysler spire in deep shades of red, birthing the steely birds in the blood of another day.

He became hypnotized by the sight and didn't see the car door open. He crashed against the metal, flew through the air and landed in the street with a sickening thud.

The world disappeared for Lovemore after that.

The first sylph he met was named Jazzy.

"This is strange, Africa. How did you end up here?"

The grid below: avenues streaked with red and white and flashing yellow, floating on a high voltage hum, third rail nerves, drum and bass beats, edged in conversations woven through a concrete and steel mesh.

"I've been here forever, of course," Jazzy said. "Well, as forever ever is in this place. That's Lowdown."

Jazzy pointed to another sylph.

"He doesn't say much, mainly because when he speaks it's an awful sound."

"It's not," said Lowdown, his voice a rumble in the sky.

"See?" said Jazzy. "Now everybody will be looking for their umbrellas."

"Don't listen to that ball of air," said Lowdown.

The sylphs darted around the silver spire.

"So, Africa," said Jazzy, "how far from the round hills must you roam?"

"Stop pestering the man," said Lowdown. "He just cracked his head against the curb."

"Ouch," said Jazzy. "I knew it was no good when they put all that concrete down. It used to be lovely forests and granite hills."

"It used to be stinking slums and rancid streets too," said Lowdown.

"Remember when they burned the city?" asked Jazzy.

"It was the Africans that did that."

"And the Irish."

"Big trouble when those folks got together."

"And they let the flames just burn for a week."

"Do you know why, Africa?"

"Just tell him, Jazzy. I don't think he can speak."

"He does have kind of a cross-eyed look to him. The African slaves and the Irish slaves burned the place, but the landlords let it burn so they could re-build."

"And they haven't stopped since."

"And they never will."


Lovemore.

"See this, Africa?"

They flew down avenues, along the dark waters of the rivers, up sheer cliffs of glass, plunged into tunnels of buried sorrow.


Lovemore.

"Hear this, Africa?"

Cries and tears and shouts and songs and saxophone riffs bleeding over the sidewalk; whispers soaking an endless night; moans and laughter and a rip-tide of loneliness coursing in on the ocean's restless call.


Lovemore Ngema.

Lovemore opened his eyes.

"Are you Lovemore Ngema?"

Lovemore squinted against a fluorescent glare. A man was there, sitting in a chair.

"Where am I?" Lovemore asked.

"Beth Israel Hospital. You had a nasty spill. You've been here two weeks."

"Are you a doctor?"

The man stood and pulled out a badge.

"I'm with the Immigration Service. Are you Lovemore Ngema?"

Lovemore nodded.

"I'm sorry for your accident," the man said. "But the fact is you were issued a two week visitor's visa and you've been here three months."

Lovemore was still trying to shake the strange dream out of his foggy skull.

"What does that mean?" he asked.

"It means in a couple of days, when the doctors release you, you'll be taken to a detention center and deported."

Angie and Kenny came to visit that night.

"It took us days to find you," Angie said. "What happened?"

Lovemore explained about the all-night bicycle ride and the accident.

"You tangle with sheet metal, you always lose," said Kenny. "I remember once I had to pry this kid out a car -- hell, the fender was wrapped around his ass."

"Is that like a fireman thing?" Angie said. "Normal people don't want to hear stories like that. Listen, Lovemore, I've been working things out."

Angie was full of plans. Lovemore could stay at Kenny's place. She'd already cleaned it. She'd made up a bed on the couch. She'd shopped for food. Kenny was hardly there because he did three days on, four days off at the firehouse . . .

Lovemore held up his hand.

"I'm going home, Angie."

"To Africa? You only just got here."

Lovemore explained about the immigration man and the deportation. Kenny went Bronx over this, talking about everybody in City Hall he was going to call and how he'd sponsor Lovemore and just give him a couple of days and he'd figure it out.

"No, Kenny," Lovemore said. "It is time to go home. I miss the round hills."

Kenny did make some calls. There was nothing he could do for Lovemore. He managed to pull some strings and get Lovemore released to his care for the twenty-four hours before the African had to report to the deportation center.

"You run, I'm toast," said Kenny.

"Where would I go?" answered Lovemore.

So, that night they closed the Hudson Diner. The owner, Gino, wasn't too happy about closing his 24/7 operation, but it also meant he could go home. He made Angie swear she wouldn't wreck the place and gave her the keys.

Angie put a sign on the door that said: We're sending Lovemore back to Africa. Party!

All the regulars came. Music filled the diner that night, drawing in everyone from the neighborhood; people Lovemore knew, people he didn't, but all of them shaking his hand, and all the women dancing with him, and the cops and the firemen and the junkies and the whores, and even the priest from Saint Agnes stayed in the diner until dawn.

As the sky began to lighten, Lovemore walked outside and stood on the corner. The air was fresh. The city hum was quieter now, gathering itself for another day. He walked down the block to the next street. From there he could see the Chrysler Building beginning to glow in the early streaks of the rising sun.

It was time to return to Africa, and the round hills of his native land. It was time to see his mama again and his papa, and perhaps work on his papa's farm for a while.

He smiled.

Who can know a place in so short a time? Not this sprawling tangle of dreams, it is too vast. It would take ten lifetimes to begin to understand the rhythms of the day. But if you learn where the spirits live, well, perhaps that is a good place to begin.